This morning I got some surprising and very welcome news about my book Upper-Voice Structures and Compositional Process in the Ars nova Motet, which was technically released last month by Routledge. Thanks to a partnership with ReadCube, the entire book is available online, without strings and without login. You can’t download it, but you can read it in full for the next 60 days by clicking here!
The representative from the press wrote: “Those you share the links with will be able to read the full book online and there are no restrictions on how many people you can send the link to” (emphasis original). So please help me spread the word!
I won’t say much about what the book is about—I think the title pretty much says it all. This is not interdisciplinary medieval studies work like my first, and it’s also much shorter than The Monstrous New Art. It presents a pretty straightforward thesis about how the outcomes of music analysis and interpretation can differ depending on the analyst’s point of departure. There is also much more music theory here than in my previous book: the biggest takeaway on that front concerns the terms “color” and “talea,” which come out of the book meaning something a bit different from what we have tended to think.
I say that Upper-Voice Structures and Compositional Process in the Ars nova Motet was “technically published” because it hit a bit of a snag in production:
This issue is getting worked out and a new print run is in the works. But even once out it will be expensive, so I hope this ReadCube thing helps mitigate that somewhat. If you do read it, let me know what you think!